Content Warning!
This installment contains a rape scene. While the details have intentionally been left vague, some readers might be disturbed by the scene. Discretion is advised.
Author's Note: This installment is taken from Sajani Tails 2: Faux Scent
Vykati ballet is a little different than the ballet one might see in other countries. Vykati walk on their toes naturally and the shape of their legs makes for some interesting positioning. It’s the same graceful and expressive art form it is anywhere else, but the performers dress in their traditional clothing and the overall feeling communicated to the viewer is one of savage skill and natural poise.
Westa started dance when she was four and showed both talent and aptitude. Her father and mother encouraged her and financed her continued instruction. When she was six, she started ballet and her natural ability coupled with her pleasant form and disposition got her noticed. By thirteen, she was performing in city and territory performances where she dominated her age category and above.
The offer, at age fifteen, to join the national ballet was unprecedented and gladly accepted. Dancing was important to her and the opportunity to shine, coupled with the joy it brought her parents, meant far more than the meager amount the job paid. Up until this point, her skill and beauty had earned her well-deserved accolades and Westa fully expected that her obvious natural talent and skill would earn her an appropriate place among her peers.
But the typical political machinations of the established arts would have nothing of that. She was allowed to practice with her fellow performers, but during performances she was made to either work the curtains or the tea pot. It was heart-breaking and as near as she could see, it could be years before she had enough seniority to be on the stage.
Her first performance, two years after she’d started with the troupe, was noticed and the reviews that came out the day after put into question the decisions of her producers. Why was someone with such natural talent in a background role? A beautiful vykati like that should’ve been at or near center stage, they said. Several major patrons of the troupe also gave their commentary on it, but they spoke with their money rather than their voices: put that one in a more prominent role or lose our patronage.
The producers responded by having her rehearse for a lead role in their next set of performances. Her associates responded by calling her an attention whore and by ostracizing her. The young wolf felt the social pressure overruled her desire for the spotlight and tried to decline, but the power of the patrons’ money was greater than her objections. Leaving the ballet wasn’t an option. She’d worked too hard for too long to give up on herself and she didn’t want to even imagine what it’d do to her parents, who’d put so much time and money into her training.
The barbs from her peers hurt, but with the help of the same strong encouragement she’d received from her parents when she began, she found that the words of the other dancers could be dulled, and their rejection ignored. Westa pressed forward because it was what both she and her parents had wanted for so long.
Opening day was amazing. She and her assigned partner, though he’d never said anything nice to her during any of the rehearsals, managed to mesmerize their audience, despite their lack of natural chemistry. The reviews the following day were glowing, with the writers patting themselves repeatedly on the back for their obvious foresight and superior knowledge of the art. Westa Lamarr was the greatest ballet dancer the nation had ever seen.
Not all parts of fame, however, are adorned in glitter and spotlights. Someone else had noticed her, someone that she didn’t know and wouldn’t have cared to be acquainted with under any circumstances.
The first few nights after opening night, she had the odd feeling that someone was following her. She approached her peers and asked for support, but none would agree to walk with her after the shows. Not wanting to be dependent on the constabulary, she turned to her father, a priest of Kali, to walk her home at night.
The attack came while she was waiting for him just outside the backstage door. She didn’t see her attacker, but she felt the pinch of a knife in her back. He grabbed ahold of her around the waist and whispered in her ear, his voice, a feral hiss, “Don’t worry my pretty. When I’m done, you’ll still be able to dance like you did tonight.”
Westa’s first response was to try and escape through the door, but the knife dug deep into her back and slit up her shirt. The arm around her waist tightened. She could smell her own blood. All of this screamed to her that she needed to fight or die.
She let out a howl and tried to elbow her attacker in the ribs. He responded by cutting the dagger downwards through her belt and by whispering in her ear. “Quiet. You don’t want me to make this any worse.” The dagger then went up to her throat and he started forcing her away from the door. Westa couldn’t tell exactly where he was leading her, but she knew it wasn’t a place she wanted to go.
She started to let out another howl, but he cut the knife into the side of her throat and told her, “That’s the last warning. The next cut will be the last one I ever need to make.”
She’d spent years training how to dance, not how to fight. While all that training had strengthened her body, it was no match for her attacker’s might. She struggled some more, trying to slow him down, but she was losing blood and feeling weaker. She cried. She prayed. Just as she was about to give up and allow him to lead her away, her father’s voice broke through the night. She had no idea what he said but recognized the basic syllables that could form a spell.
There was a boom like thunder and the grip around her weakened slightly but still held onto her. The attacker was attempting to turn to face her father. It was in vain. The older wolf had another spell ready and with a blinding rush of heat and fire, the grip around her waist fell and she was left free. Looking down at the still form of her attacker, her vision began to blur and though a moment before she wouldn’t have thought it possible, she felt weaker and more vulnerable. She was about to fall over, but the arms of her father caught her and gently lowered her to the ground.
Again, she could hear his voice offering up a pious incantation that she couldn’t understand. The third spell not only stopped the bleeding and restored her strength, it allowed her to clearly see her father kneeling over her with deep concern in his eyes. As she hugged him deeply and sincerely, he quietly spoke. “I’m sorry I wasn’t there any sooner.” She wept. Sooner would have been better, yes, but her prayer had been answered directly.
When it was all over, and she had to time to think rationally about it, she realized that the power of fame and the spotlight paled in comparison to the power that’d saved her. The most important thing through all her life had been the support of her family and that was extended to her personally, not her career. The accolades of the public hadn’t been enough to make the derision of her peers worthwhile.
When the performances were over, she knew that she’d leave dance behind and move on to greater things—things that’d allow her to become a better person and repay the debt that’d been created that night. A holy debt. One she was grateful to owe.
The applause of crowds is a shallow pleasure. When the smiles and cheering are over, you’re only left with a quickly fading happiness. The gratitude of people and the knowledge that one is serving a higher power is the sort of recognition that reaches down to the soul and the joy from that does not fade with time.
Her parents agreed.